2012年3月1日 星期四

集資逾四千萬鎊 英畫廊購名畫

 集資逾四千萬鎊 英畫廊購名畫 【2012/3/1 23:10】


〔中央社〕英國國家畫廊和蘇格蘭國家畫廊今天表示,雙方已籌集4500萬英鎊來購買1幅文藝復興時期的名畫,以供公開展示。這幅畫作棲身英國已有200年時間。

畫廊方面今天表示,由公共信託、私人捐款,以及英國國家畫廊提供2500萬英鎊準備金湊集出的這筆經費,使提香(Titian)的畫作「黛安娜和卡利斯托」(Diana and Callisto)得以留在英國。2500萬英鎊幾乎是英國國家畫廊的全數購畫經費。

透過此次購畫,這幅名作將與姊妹畫「黛安娜和阿克泰翁」(Diana and Actaeon)重逢。2家畫廊2009年已聯手買進後者。

蘇格蘭國家畫廊總監萊登(John Leighton)表示,這是「世界上最偉大的2幅畫作」,畫廊方向一向希望將這2幅畫並列展示。

由16世紀威尼斯畫派大師提香根據古典神話創作的這些畫作,自1798年即現身英國,不過「黛安娜和卡利斯托」是由私人收藏。擁有畫作的索塞蘭公爵 (Duke of Sutherland)2008年表示,願將該畫出售給公立畫廊,這使畫廊在政府支持下,展開了籌集經費的行動。

itian's Diana and Callisto will be worth far more than £45million to the country in years to come

The British public will forever have ready access to works that are incomparable works of genius

Saved: The Diana and Callisto by Italian Renaissance master Titian which been saved for the nation in a £45 million deal
Saved: The Diana and Callisto by Italian Renaissance master Titian which been saved for the nation in a £45 million deal PA

The incredible purchase of Titian’s Diana and Callisto completes gargantuan efforts to keep two of the Renaissance master’s most celebrated works in Britain.
With the other Diana and Actaeon, bought for £50million three years ago, it means the British public will forever have ready access to works that are at once on a par with Leonardo da Vinci and Michelangelo, but also in their own right incomparable works of genius.
And while the combined cost of £95million may seem high, as assets these paintings will be worth far more to the country in years to come.

John Leighton infront of Titian's Diana and Actaeon
Twice Titian: Titian's Diana and Actaeon was bought three years ago Getty  

More importantly they provide a touchstone for members of the public, school children and young British artists learning their trade to see firsthand the brilliance of Titian’s work.
Born in 1490 Tiziano Vecelli was an Italian painter from the Venetian school, who trained under other great masters Giovanni Bellini and Giorgione, but quickly surpassed them.
Known as Titian he was also referred to poetically by his peers as ‘the Sun amidst small stars’.
The beauty and skill of his selective use of vibrant colours amidst the monochromatic backgrounds that were often a feature of Renaissance art has been a major influence on western art.
And Titian’s realistic depictions of people and animals, rich and elaborately rendered clothing, and the broad range of his subject matter, set him apart from most of his peers.
Painted for Philip II of Spain between 1556 and 1559, Diana and Callisto is one of a series of seven canvases “the poesies” depicting mythological scenes.
This particular painting shows the moment in which the goddess Diana discovers her maid Callisto has been impregnated by Jupiter.
In places the paintwork is very thin, and you can see beneath the light brush strokes areas that have been reworked and partially covered over. Bright reds are juxtaposed against vivid blues and golds. Falling water and drifting clouds exist together in a perfectly rendered receding landscape.
The very real, very familiar looking dogs in the foreground, seem to blend in with the action, and yet singled out are complete entities in themselves.
As a composition it is a complex proposition even for a talented artist and yet it feels utterly believable and real, despite the subject matter and the space being crammed with no less than 11 figures, a couple of dogs and some statuary.
The painting, which came to Britain in 1793 and was acquired by the 3rd Duke of Bridgewater, is a complicated canvas full of overlapping nudes, brocaded drapery, trees, clouds and animals.
The Duke of Sutherland, who owns the painting, offered in 2008 to sell the work to public galleries, sparking a government-backed fundraising campaign.
Titian was one of the the late great British artist Lucian Freud’s favourite painters, and he once wrote of how Rembrandt’s paintings seemed “dim” by comparison.
On Diana and Actaeon and Diana and Callisto he added: “These Titians are so full of light and air.. (they) are intimate yet also grand.
"Why are they so much greater than almost everybody else? Because you believe in them more.
“To me, these are simply the most beautiful pictures in the world.
"Once you’ve seen them, you want to see them again and again.”

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