『複構即迴 』李浩個展
Le Mécanisme Répétitif – Hao Li
Solo Exhibition
展期：Apr. 18. 2015 ~ May 31.
2015
開幕酒會：Apr. 18 .2015(Sat.) 15:00
展覽地點：YESART AIR GALLERY 意識畫廊
台北市中山北路七段48號2 樓
Tel:02-28763858 yesart777@gmail.com
在現今社會的脈動中，個人的特質和多元性逐漸被同質化
藝術家李浩觀察這樣的社會機制並模擬⼈們的⽣活律動，
< 創作自述> 李浩（1981~ 台灣）
生命中，我們所做的大小選擇，是否是在自由意志下決定？或者其實一直處於某種程度的夢遊狀態？是什麼讓我們“感覺”自己好像參與了抉擇的過程？意識行為？錯綜複雜的神經訊號反應？還是因果渾沌的連鎖效應？或是不知不覺卻無所不在的規訓牽引？似乎存在某些東西，驅動著現代人不斷重複，卻有著微小差異的生活。
每一次曝光，都必然與上一次或下一次之間交互作用產生直接關係，一次一次、一層一層、一日一日、一景一景，垂直膠合不同時空的橫截斷面；利用看似真實的“已知”層層建構出“未知”的集合體，再以未知回頭檢視已知，交互詰問探討隱含的權力牽引結構。
時間維度上，實踐上班族的日常規律，每天在相同的時間、回到同樣的車站、在同樣的位置以相同的構圖方式，限制自己只按下一次快門逐日累積在同一張底片上。空間維度上，將各家不同的大賣場貨道曝光並置。不同維度的重複行為有著不同層面的意義，而每一次差異也都重複地再度差異於其他差異。
重複此差異，並差異此重複。當“真實的表象”不斷地自我重複/差異時，有如一齣劇中劇，在重複以自己構成自己的過程中，踰越了自身，進入遞迴反饋的碎形、甚至空無符碼的狀態而成為一種媒介，同時處在可識/不可識、意識/潛意識的雙重性之間。於是，什麼在背後牽引，什麼產生了，什麼消失，又什麼被留下來？
生命中，我們所做的大小選擇，是否是在自由意志下決定？或者其實一直處於某種程度的夢遊狀態？是什麼讓我們“感覺”自己好像參與了抉擇的過程？意識行為？錯綜複雜的神經訊號反應？還是因果渾沌的連鎖效應？或是不知不覺卻無所不在的規訓牽引？似乎存在某些東西，驅動著現代人不斷重複，卻有著微小差異的生活。
每一次曝光，都必然與上一次或下一次之間交互作用產生直接關係，一次一次、一層一層、一日一日、一景一景，垂直膠合不同時空的橫截斷面；利用看似真實的“已知”層層建構出“未知”的集合體，再以未知回頭檢視已知，交互詰問探討隱含的權力牽引結構。
時間維度上，實踐上班族的日常規律，每天在相同的時間、回到同樣的車站、在同樣的位置以相同的構圖方式，限制自己只按下一次快門逐日累積在同一張底片上。空間維度上，將各家不同的大賣場貨道曝光並置。不同維度的重複行為有著不同層面的意義，而每一次差異也都重複地再度差異於其他差異。
重複此差異，並差異此重複。當“真實的表象”不斷地自我重複/差異時，有如一齣劇中劇，在重複以自己構成自己的過程中，踰越了自身，進入遞迴反饋的碎形、甚至空無符碼的狀態而成為一種媒介，同時處在可識/不可識、意識/潛意識的雙重性之間。於是，什麼在背後牽引，什麼產生了，什麼消失，又什麼被留下來？
Le Mécanisme Répétitif 09
Le Mécanisme Répétitif 12
This series of photos depicts the everyday life in the modern world -
repetitive, routine, yet with slight differences.
The invention of steam engine and locomotive greatly accelerated the Industrial Revolution. Mechanical transportation networks were developed to efficiently distribute freights and to commute. These technologies were the fundamental factors to the emergence of capitalism and globalization. Ever since, the world had hastened its pace and never looked back. While the mainstream modern societal values have emphasized efficiency, productivity and capital accumulation, people are constantly regarded as small components in a big machine. With the increasing pace and the repetitive routines in our daily lives, we do what everyone else does, we think like everyone else thinks; we’ve lost ourselves in the immense system, not being aware of who we really are. As the identity and diversity between individuals gradually fade, life seems rather like an unawakened dream.
Observing the mechanism of this system, I also place myself into a repetitive rhythm: every single day at the same time, I go back to the same spot in the same train station. With the same framing, I limit myself to one exposure per day, on the exact same piece of film; accumulating day after day, to complete one single multiexposure photograph.
The Artist Hao LI photograph the scenes that people encounter everyday to create these abstract yet photographic images, illustrating the illusional world underneath layers of reality.
The invention of steam engine and locomotive greatly accelerated the Industrial Revolution. Mechanical transportation networks were developed to efficiently distribute freights and to commute. These technologies were the fundamental factors to the emergence of capitalism and globalization. Ever since, the world had hastened its pace and never looked back. While the mainstream modern societal values have emphasized efficiency, productivity and capital accumulation, people are constantly regarded as small components in a big machine. With the increasing pace and the repetitive routines in our daily lives, we do what everyone else does, we think like everyone else thinks; we’ve lost ourselves in the immense system, not being aware of who we really are. As the identity and diversity between individuals gradually fade, life seems rather like an unawakened dream.
Observing the mechanism of this system, I also place myself into a repetitive rhythm: every single day at the same time, I go back to the same spot in the same train station. With the same framing, I limit myself to one exposure per day, on the exact same piece of film; accumulating day after day, to complete one single multiexposure photograph.
The Artist Hao LI photograph the scenes that people encounter everyday to create these abstract yet photographic images, illustrating the illusional world underneath layers of reality.
Le Mécanisme Répétitif 05"
主題：不務正業
與談人：李浩、鍾易庭（ExLab主持人，實踐大學建築系講師）
講座時間 ：2015/5/30 pm 15:00
地點：YESART 意識畫廊(台北市中山北路七段48號2樓)
與談人：李浩、鍾易庭（ExLab主持人，實踐大學建築系講師）
講座時間 ：2015/5/30 pm 15:00
地點：YESART 意識畫廊(台北市中山北路七段48號2樓)
～不談攝影，或者說，不只是談攝影～
講座關鍵字
Gilles Deleuze的差異與重複，Pierre Schaeffer的具象音樂(Musique Concrète)，Peter Brötzmann的前衛即興，灰野敬二的噪音聲響，Terry Riley的極簡，John Cage的解構重組，Jan Švankmajer, Emir Kusturica, Alejandro Jodorowsky, 楊德昌, Lars von Trier, Roy Andersson, Jonas Mekas, Chris Marker, Andrei Tarkovsky, João César Monteiro…
photo / yesman uni YESART AIR GALLERY
